In early imperial China, the dead were remembered by stereotyping them, by relating them to the existing public memory and not by vaunting what made each person individually distinct and extraordinary in his or her lifetime. Their posthumous names were chosen from a limited predetermined pool; their descriptors were derived from set phrases in the classical tradition; and their...(展开全部)

In this book, Li Min proposes a new paradigm for the foundation and emergence of the classical tradition in early China, from the late Neolithic through the Zhou period. Using a wide range of historical and archaeological data, he explains the development of ritual authority and particular concepts of kingship over time in relation to social memory. His volume weaves together t...(展开全部)

A study that makes use of an interdisciplinary approach to challenge traditional theories of state formation in China and promote debate on early Chinese history. Analyzing data from archaeology, geology, cultural geography, ethnohistory and ancient texts, the authors show how the procurement of key external resources - especially metal and salt - drove the dynamics of state fo...(展开全部)

By the middle of the third century B.C.E. in China there were individuals who sought to become transcendents (xian)--deathless, godlike beings endowed with supernormal powers. This quest for transcendence became a major form of religious expression and helped lay the foundation on which the first Daoist religion was built. Both xian and those who aspired to this exalted status ...(展开全部)

Early China is best known for the dazzling material artifacts it has left behind. These terracotta figures, gilt-bronze lamps, and other material remnants of the Chinese past unearthed by archaeological excavations are often viewed without regard to the social context of their creation, yet they were made by individuals who contributed greatly to the foundations of early Chines...(展开全部)

Tian, or Heaven, had multiple meanings in early China. It had been used since the Western Zhou to indicate both the sky and the highest god, and later came to be regarded as a force driving the movement of the cosmos and as a home to deities and imaginary animals. By the Han dynasty, which saw an outpouring of visual materials depicting Heaven, the concept of Heaven encompassed...(展开全部)

Andrew Eisenberg, Ph.D. (1991) in History, University of Washington, Seattle, is Associate Professor of History at Northeastern Illinois University in Chicago. He has published essays on Classical Chinese political history in the journals T'ang Studies, Theory and Society, and T'oung Pao. This is his first full length monograph.

本书是研究中国汉代手工艺匠人的学术著作，书中讲到的早期中国，指的是我国历史上的汉朝。 早期中国最为著名的是流传下来的璀璨夺目的手工艺品。这些兵马俑、镀金青铜灯及其他中国发掘出来的古代艺术品，常常被人认为同创造它们的社会经济背景无关联，然而，这些艺术品是由对早期中国的社会和经济做出重大贡献的人创造出来的。在本书中，作者把历史分析、碑文分析和考古分析结合起来，对中国流金溢彩的手工艺品和碑刻及其创作者，重新进行了深入地研究。作者认为，对出土文物的研究比发掘更难。 本书首次叙述了一部深刻的中国早期手工艺匠人的社会史。手工匠人是怎么生活的? 怎么学徒的？手艺工匠是自由人吗？手工艺品是谁做的？他/她为什么做这个艺术品？是怎么做出来的？怎么卖掉的或者怎么辗转落入他人之手的？在这富于吸引力和启发性的分析中，作者从多方面探讨了这些手工艺匠人的生活和劳作生涯。首先，分析...(展开全部)

本书是研究中国汉代手工艺匠人的学术著作，书中讲到的早期中国，指的是我国历史上的汉朝。 早期中国最为著名的是流传下来的璀璨夺目的手工艺品。这些兵马俑、镀金青铜灯及其他中国发掘出来的古代艺术品，常常被人认为同创造它们的社会经济背景无关联，然而，这些艺术品是由对早期中国的社会和经济做出重大贡献的人创造出来的。在本书中，作者把历史分析、碑文分析和考古分析结合起来，对中国流金溢彩的手工艺品和碑刻及其创作者，重新进行了深入地研究。作者认为，对出土文物的研究比发掘更难。 本书首次叙述了一部深刻的中国早期手工艺匠人的社会史。手工匠人是怎么生活的? 怎么学徒的？手艺工匠是自由人吗？手工艺品是谁做的？他/她为什么做这个艺术品？是怎么做出来的？怎么卖掉的或者怎么辗转落入他人之手的？在这富于吸引力和启发性的分析中，作者从多方面探讨了这些手工艺匠人的生活和劳作生涯。首先，分析...(展开全部)

Andrew Eisenberg, Ph.D. (1991) in History, University of Washington, Seattle, is Associate Professor of History at Northeastern Illinois University in Chicago. He has published essays on Classical Chinese political history in the journals T'ang Studies, Theory and Society, and T'oung Pao. This is his first full length monograph.